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Showing posts with label LATEST MOVIES. Show all posts
Showing posts with label LATEST MOVIES. Show all posts
Tuesday, January 12, 2010
SHREK [and its instalments] has been one of the most loved movies of our times. An ogre falls in love with a princess and after overcoming their share of obstacles, the couple live happily ever after. Most Hindi movies take a similar route, don't they? We love happy endings. We want the underdog to accomplish his dreams. We feel euphoric if he walks into the sunset, holding the hand of his beloved.A love story works if you fall in love with the on-screen characters and also if it knocks on the doors of your heart. PYAAR IMPOSSIBLE does that. PYAAR IMPOSSIBLE may not be the ultimate romantic film, but you can't deny the fact that there's something about this film that stays with you, that you carry home... sorry, carry in your heart.
PYAAR IMPOSSIBLE also works because its protagonists, Uday and Priyanka, deliver sparkling performances. No wonder, you get drawn in their world in a jiffy.
Final word? Watch PYAAR IMPOSSIBLE if you are or even if you're not a romantic. It has its heart in the right place!
In a university in California, Alisha [Priyanka Chopra] is the name of that dream everyone wished came true. The most beautiful girl on campus, she makes hearts flutter like leaves in the wind. Everybody loves Alisha.
It is no surprise then that Abhay [Uday Chopra] loves her too. Abhay is a nerdy, awkward, bespectacled geek of the college who is so far removed from her world. She doesn't even know that people like him actually exist.
One day Abhay musters up enough courage to go and express his true feelings to her and realizes that it is never gonna happen. He comes to terms with the fact that Alisha is a Princess and he is just a Geek. That is when their ways eventually part. Later, their paths cross again, as Abhay is busy trying to launch his career. Fate again brings him face to face with the woman of his dreams, Alisha.
Will Abhay have the strength to believe in himself and attempt to achieve what he never thought possible?
You may draw parallels with Chris Columbus' I LOVE YOU, BETH COOPER [2009], but the fact is that Uday Chopra's story in PYAAR IMPOSSIBLE [yes, he has penned the story, screenplay and dialogue] could be anybody's story. This is not about a nerd who wants his program back from a suave hacker. It's about a simpleton, his feelings, the complications in his life and the final triumph. Haven't we seen so many jodis in real life, who may not pair off well, but look compatible? Let's not forget, opposites attract!
You may also draw parallels with Aditya Chopra's RAB NE BANA DI JODI, but writer Uday Chopra and director Jugal Hansraj steer clear of anything that could be similar to Adi's film. The [sole] similarity starts and ends with a simpleton falling in love with an attractive girl.Uday's screenplay remains faithful to the main plot, not deviating one bit. At the same time, it could've been tighter in the post-interval portions. There were ample occasions when Uday could've opened his heart, his motive of arriving in Singapore, that he's not a nanny, that he had been cheated by Dino. But he doesn't!
Thankfully, the writing is back on track towards its climax. Right from the kiddie song, to Priyanka realising that she loves Uday, to the press conference when Uday stands vindicated and Dino exposed, the penultimate moments are the mainstay of the enterprise.
Jugal Hansraj has the trappings of a competent director. He has handled several sensitive moments with dexterity. Salim-Sulaiman's musical score is pleasant, but it can do with that extra push [promotion] from the music division. Santosh Thundiyil's cinematography is top notch. Dialogue [also penned by Uday] are straight out of life.
PYAAR IMPOSSIBLE works largely due to the efficient performances by its principal actors - Uday Chopra and Priyanka Chopra. Both deliver sparkling performances. Priyanka has evolved into a fantastic actor and this film proves it yet again. Five minutes into the film and you realise that you are not watching Priyanka, but Alisha Merchant. That's what this fine actor does to you.
Uday gets it right as Abhay. Sure, the actor has been a part of several films in the past, but this one awakens you to this sincere performer, who, unfortunately, has never got his due. He plays the role of a Geek with astute understanding and it's thanks to his super portrayal that you feel for this character. This should be the turning point in his career.Dino Morea springs a surprise and carries off his part very well. Anupam Kher is perfect in a brief role. Advika Yadav, the kid playing Priyanka's daughter, is adorable. And a terrific actor too!
On the whole, PYAAR IMPOSSIBLE is a feel-good film. If you are a romantic, this one's for you. Even if you're not, still watch it. Its one of those films that will bring a smile on your face - something that most Hindi films don't do these days!
Take MY FAIR LADY.
Add DULHAN WAHI JO PIYA MAN BHAAYE.
Spray NASEEB APNA APNA.
Sprinkle DILWALE DULHANIA LE JAYENGE and RAB NE BANA DI JODI.
Hey presto, DULHA MIL GAYA is ready to serve.
In fact, MY FAIR LADY has been a hot favourite of Bollywood. Recall MAN PASAND [Dev Anand, Tina Munim] or HUM TERE AASHIQ HAIN [Jeetendra, Hema Malini]. Similarly, a number of storytellers have rehashed Rajshri's all-time hit DULHAN WAHI JO PIYA MAN BHAAYE [Prem Krishen, Rameshwari] in various avtaars, over the years.
DULHA MIL GAYA is a mix of the above-named films. Like they say in filmi lingo, it's old wine in new bottle. So what? How different can a love story be, since this genre has been done to death in Bollywood? Point noted, but the narrative ought to be engaging if it has to strike a chord and that's where DULHA MIL GAYA falters.
Merely assembling A-listers and filming the movie at panoramic locations isn't enough. The film ought to have meat and that's missing here.
Let me elaborate. Debutante director Mudassar Aziz, who has also penned the script, borrows from the past, going for the tried-and-tested stuff, but the narrative, already low on fuel, comes to a grinding halt by the time it reaches its finale.
Donsai [Fardeen Khan], a young commitment-phobic debonair, is petrified with terms like marriage and long-term relationships. Samarpreet [Ishita Sharma] is a quintessential Punjabi girl, for whom relationships are to be cherished.
Shimmer [Sushmita Sen] is a diva from the world of glamour for whom love and relationships aren't important in life as independence and success are. Pawan Raj Gandhi/PRG [Shah Rukh Khan] is a suave multi-millionaire whose heart still remains larger than his bank balance and for whom winning love is the only victory there is.
When paths cross for these four characters, they not only land up influencing each other with their outlook on relationships, but also get influenced themselves and learn a whole new meaning of the term.
Something that got ignited with D.D.L.J. continues to shimmer to this date. Our stories continue to travel from firangi land to the fields of Punjab. DULHA MIL GAYA too does that [initially], before MY FAIR LADY and RAB NE BANA DI JODI take over.
To give the credit where it's due, DULHA MIL GAYA has some interesting moments, but the problem is they are few and far between. One expects things to perk up when SRK's character is introduced [in the post-interval portions], but your hopes go crashing as nothing worthy of note occurs.
The writing has gaping flaws, which are difficult to absorb after a point. The girl travels all the way from Punjab to Trinidad and Tobago, but not once do her concerned parents call to enquire how she is. Strangely, even the girl doesn't feel the need to inform them. If that's not enough, Sushmita takes upon herself to tame Fardeen, giving you the impression that she thinks from her heart. But when it comes to her relationship with Shah Rukh, she behaves in a rather odd manner. SRK, on the other hand, seems completely besotted by her, even though she never reciprocates his feelings. Hence, her somersault in the end - just because Ishita has given her some bhashan - doesn't look convincing.
Mudassar Aziz's direction is a shade better than his writing. And that's not saying much. Given the fact that newer stories are being attempted in these fast-changing times and in view of the fact that he had some of the best talents on board, Mudassar should've seized the opportunity and told a refreshingly different and absorbing tale. But he doesn't. Sure, a few sequences are clever and smart, but that's not enough.
The music is of a mixed variety. 'Akela Dil' is groovy, while the title track is strictly okay. Cinematography is appealing.
Sushmita excels in a role that demands her to be hoity-toity. She enacts her part effortlessly. One wishes to see her more often on the big screen! Fardeen does a good job, especially towards the end when he's about to confess something vital to Ishita. Ishita delivers a sincere performance. It's a pity that a superstar like Shah Rukh is terribly wasted in an inconsequential role. It may not go down well with his fans.
Mohit Chadha has screen presence, but gets no scope. Johny Lever is wasted. Ditto for Tara Sharma. Suchitra Pillai and Howard Rosemeyer are passable. Parikshit Sahni, Bina Kak and Viveck Vaswani are as usual.
On the whole, DULHA MIL GAYA doesn't work!
Add DULHAN WAHI JO PIYA MAN BHAAYE.
Spray NASEEB APNA APNA.
Sprinkle DILWALE DULHANIA LE JAYENGE and RAB NE BANA DI JODI.
Hey presto, DULHA MIL GAYA is ready to serve.
In fact, MY FAIR LADY has been a hot favourite of Bollywood. Recall MAN PASAND [Dev Anand, Tina Munim] or HUM TERE AASHIQ HAIN [Jeetendra, Hema Malini]. Similarly, a number of storytellers have rehashed Rajshri's all-time hit DULHAN WAHI JO PIYA MAN BHAAYE [Prem Krishen, Rameshwari] in various avtaars, over the years.
DULHA MIL GAYA is a mix of the above-named films. Like they say in filmi lingo, it's old wine in new bottle. So what? How different can a love story be, since this genre has been done to death in Bollywood? Point noted, but the narrative ought to be engaging if it has to strike a chord and that's where DULHA MIL GAYA falters.
Merely assembling A-listers and filming the movie at panoramic locations isn't enough. The film ought to have meat and that's missing here.
Let me elaborate. Debutante director Mudassar Aziz, who has also penned the script, borrows from the past, going for the tried-and-tested stuff, but the narrative, already low on fuel, comes to a grinding halt by the time it reaches its finale.Donsai [Fardeen Khan], a young commitment-phobic debonair, is petrified with terms like marriage and long-term relationships. Samarpreet [Ishita Sharma] is a quintessential Punjabi girl, for whom relationships are to be cherished.
Shimmer [Sushmita Sen] is a diva from the world of glamour for whom love and relationships aren't important in life as independence and success are. Pawan Raj Gandhi/PRG [Shah Rukh Khan] is a suave multi-millionaire whose heart still remains larger than his bank balance and for whom winning love is the only victory there is.
When paths cross for these four characters, they not only land up influencing each other with their outlook on relationships, but also get influenced themselves and learn a whole new meaning of the term.
Something that got ignited with D.D.L.J. continues to shimmer to this date. Our stories continue to travel from firangi land to the fields of Punjab. DULHA MIL GAYA too does that [initially], before MY FAIR LADY and RAB NE BANA DI JODI take over.
To give the credit where it's due, DULHA MIL GAYA has some interesting moments, but the problem is they are few and far between. One expects things to perk up when SRK's character is introduced [in the post-interval portions], but your hopes go crashing as nothing worthy of note occurs.The writing has gaping flaws, which are difficult to absorb after a point. The girl travels all the way from Punjab to Trinidad and Tobago, but not once do her concerned parents call to enquire how she is. Strangely, even the girl doesn't feel the need to inform them. If that's not enough, Sushmita takes upon herself to tame Fardeen, giving you the impression that she thinks from her heart. But when it comes to her relationship with Shah Rukh, she behaves in a rather odd manner. SRK, on the other hand, seems completely besotted by her, even though she never reciprocates his feelings. Hence, her somersault in the end - just because Ishita has given her some bhashan - doesn't look convincing.
Mudassar Aziz's direction is a shade better than his writing. And that's not saying much. Given the fact that newer stories are being attempted in these fast-changing times and in view of the fact that he had some of the best talents on board, Mudassar should've seized the opportunity and told a refreshingly different and absorbing tale. But he doesn't. Sure, a few sequences are clever and smart, but that's not enough.
The music is of a mixed variety. 'Akela Dil' is groovy, while the title track is strictly okay. Cinematography is appealing.
Sushmita excels in a role that demands her to be hoity-toity. She enacts her part effortlessly. One wishes to see her more often on the big screen! Fardeen does a good job, especially towards the end when he's about to confess something vital to Ishita. Ishita delivers a sincere performance. It's a pity that a superstar like Shah Rukh is terribly wasted in an inconsequential role. It may not go down well with his fans.Mohit Chadha has screen presence, but gets no scope. Johny Lever is wasted. Ditto for Tara Sharma. Suchitra Pillai and Howard Rosemeyer are passable. Parikshit Sahni, Bina Kak and Viveck Vaswani are as usual.
On the whole, DULHA MIL GAYA doesn't work!
Wednesday, January 6, 2010
Dulha Mil Gaya Movie Pictures, Posters and Firstlook
Saturday, January 2, 2010
Genre: Comedy
Cast: Ajay Devgan, Konkana Sen, Paresh Raval, Satish Kaushik, Akhilendra Mishra, Sanjay Mishra.
Director: Ashwni Dhir
Synopsis/Story:
Atithi Tum Kab Jaoge? is the story of Puneet (Ajay Devgn) and Munmun (Konkona Sen), a happily married couple living in Mumbai whose lives take an interesting turn when a distant relative, Chachaji (Paresh Rawal) turns up unannounced at their doorstep from a far off village. The guest overstays his welcome so much so that the exasperated couple come up with various ploys to hasten his departure to hilarious results
Tuesday, December 29, 2009
katrina kaif hot wallpapers de dana dan movie with akshay kumar
CAST
KATRINA KAIF
AKSHAY KUMAR
Nitin Bankar (Akshay Kumar) is a personal butler, cook, driver, watchman, gardener to a wealthy female industrialist (Archana Puran Singh) in Singapore. Like any young man, Nitin too, dreams of a better life, but misfortune is his constant companion and his reality is his job under Archana. He desperately wants to become rich and marry the love of his life, Anjali Kakkad (Katrina Kaif), who supports him financially.
Sunday, December 20, 2009
Fired First Look Wallpaper | Fired Trailer | Fired movie video
Fired movie trailer video. Starring Rahul Bose, Militza Radmilovic.
Fired is a Bollywood horror movie. Fired (2010) is an upcoming Bollywood Hindi movie starring Rahul Bose, Militza Radmilovic and Dinesh Lamba in lead roles.The movie is largely in English language with spattering of Hindi - the little Hindi will alsobe dubbed into English for the international release.
If you are in danger of being laid off, make sure your boss watches Fired. Rahul Bose fires 121 people, and look what happens to him !
Check the scary trailer of Fired below:
Fired is a Bollywood horror movie. Fired (2010) is an upcoming Bollywood Hindi movie starring Rahul Bose, Militza Radmilovic and Dinesh Lamba in lead roles.The movie is largely in English language with spattering of Hindi - the little Hindi will alsobe dubbed into English for the international release.
If you are in danger of being laid off, make sure your boss watches Fired. Rahul Bose fires 121 people, and look what happens to him !
Check the scary trailer of Fired below:
Saturday, December 19, 2009
The first look of the much awaited movie My Name Is Khan was unveiled yesterday across 70 countries. The movie reunites superstar Shah Rukh Khan with Kajol on screen after eight years.
The movie is about Rizwan Khan played by Shah Rukh Khan. He falls in love with a Hindu single mother, Mandira (Kajol). Child actor Tanay of Slumdog Millionaire fame plays young Rizwan in the movie.
My Name Is Khan is slated to release Feb 12, 2010.
Monday, December 14, 2009
Aamir Khan promotes 3 Idiots in Varanasi
Aamir Khan roams around in disguise to promote ‘3 Idiots’ in Varanasi.
Varanasi: Chewing paan and riding a rickshaw, Bollywood superstar Aamir Khan turned 'Banarasi babu' to promote 3 Idiots as he made his first stop in the holy city. The 44-year-old actor has put on a disappearing act and is on a seven city tour to promote the film.
Aamir reached Varanasi on Friday and traveled through the narrow lanes of the old city to search his mother, Zeenat's birth place in Teliyanala area, near the Prahlad Ghat at the banks of river Ganga.
Wearing a simple shirt, his face covered with a muffler, Aamir hid himself in old sunglasses. He stayed in the city for three days in the disguise of an old man.
The morning before leaving the city, Aamir reached the Teliyanala mohalla in the Kotwali area to visit his mother's birthplace Khwaja Manzil, which is in a dilapidated condition.
"Was in your amazing city. It was a very emotional experience for me," Aamir told PTI before leaving for another destination. The rickshaw-puller Ramlakhan Paswan, who drove the actor through the bylanes of the city, said, "Aamir got really emotional when he found the birth place of his mother."
"When Aamir reached his mother's birth place he was chewing paan and his mouth was full of it. He was sporting a white beard so no one could identify him," Paswan said. "He suddenly revealed his identity and asked the people in Bhojpuri, 'Ka Guru ee Banaras hau, Aamir Khan ke na pahachan pailen'(Don't you recognise Aamir Khan)." Aamir also visited the famous Dasaswamedh Ghat.
The actor has roped in 'Master Blaster' Sachin Tendulkar to endorse the movie, who gave the first clue about his whereabouts.
Tamil Movie Azhagar Malai HOT Wallpapers and Pictures
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